History of the Adriatic: A Sea and Its Civilization, Egidio Ivetic, c. 2022 / 2025.
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Monday, November 9, 2026
Monday, November 2, 2026
Links With Regard To Etty Hillesum -- November 2, 2026
Etty Hillesum
The "adult" Anne Frank.
From an earlier post over at my literature blog: this softcover was packed away some years ago.
-- emigrated to Canada at age 13; Harvard graduate; ultimately the pinnacle of American writing.
Saturday, October 31, 2026
The Initiates -- Étienne Davodeu
The Initiates -- Étienne Davodeu, c. 2011. A $30-book for $9.00 at used bookstore in Portland, OR.
*****************************
The Book Page
The best graphic novel ever?
Monday, October 26, 2026
The Fuzzy and the Techie: Why the Liberal Arts Will Rule the Digital World, Scott Harley, 2017, hardcover.
The Fuzzy and the Techie: Why the Liberal Arts Will Rule the Digital World, Scott Harley, 2017, hardcover.
The terms "fuzzy" and "techie" are used to respectively describe students of the humanities and social sciences (the fuzzies) and students of the engineering or hard sciences (the techies) at Stanford University.
The divide between fuzzies and techies is a modern incarnation of the chasm physicist and novelist Charles Percy Snow (wiki) lamented had formed between those in the humanities and the sciences in his famous essay "The Two Cultures."
Scott Hartley: "As a fuzzy, I have grown up in a techie world. I ahve witnessed the need for collaboration between fuzzies and techies as a child in Palo Algo, as an undergraduate at Stanford, then as an employee of Google and Facebook, and thereafter as a venture capitalist on Sand Hill Road.
Chapter One: The Role of the Fuzzy in a Techie World.
Friday, October 23, 2026
Personal Poetry
October 23, 2026: on reading which start out as a discussion on poetry, link here. Link: https://share.google/aimode/YBhZTD5b5kjxpzfCv.
Transcribed from my personal diary.
Chapter Twenty-Two: Poetry
November 25, 2013:
Many
years ago, I asked Sebastian Voigt, a German married to my very close physician friend, Ruth Robinson,
the definition of poetry; he taught German in American schools.
Somewhere in my diaries, I discussed the definition of poetry, but was unable to find it today. I ran across this, however:
The
first critic to affirm the originality of Wuthering Heights as a
triumph of art was Sydney Dobell in a remarkable review of the 1850
edition in Palladium. Sydney Dobell saw that a prose work can be structured like a
poem: ‘The thinking-out of some of these pages ... is the masterpiece of
a poet’ that, like a poem, it can embody its central meanings in
imagery. He claimed that successful art is that which best serves the
demands of the imagination, imagination working in obedience to no
external principles, but to ‘the nature within her.’ Dobell resolves the
problem which had baffled nearly all the earlier reviewers by coining
the phrase ‘instinctive art,’ which he applies not only to Emily Brontë,
but to all writers whose art serves to release their deepest ‘powers of
insight,’ ‘intuition of character,’ and ‘infallible inspiration.’ This
is from my notes found at “Art of Emily Brontë.”
I noted
elsewhere that when I typed the entire Virginia Woolf novel Mrs
Dalloway, I noted it was a prose poem. I write about that extensively
elsewhere.
See this link. Link: https://share.google/aimode/pSLbOnNYxikaRDYWt.
****************************
Undated
[Undated,
probably about 2004] Periodically I return to poetry. But when I
start reading poetry, seldom do I enjoy it. I think poetry is a very
personal endeavor and doesn’t “share well.” Harold Bloom once said that
“reading” is a private vocation; if so, then reading poetry is even
more private.
Periodically I would like to write my own poetry; I certainly have enough experiences for subject matter.
Some thoughts:
Pateley Bridge walk at night
The white shooting stars.
The nights so black, so quiet.
But at dusk: the horse.
The Amazon at daybreak
Small flat-bottomed boat
Cool, breezy; the still water
The broad horizon
North Dakota back roads
Tall grass. Breezy, clear.
Soaring, a hawk, an eagle.
On edge: pronghorn deer.
HAIKU
Anticipation!
Saturday morning. So much
To do. Gone too fast.
-- 21 Apr 03
Saturday
morning has always been my favorite half-day of the week. Friday
evening is a close second. But, whereas Friday evening is an evening of
“doing, Saturday morning is a time of anticipation. Anticipation
always trumps doing. Haiku must capture a moment in time; this one
does, I believe. “Gone too fast: does not mean that the weekend goes by
too quickly; it refers to the fact that the moment of anticipation
quickly dissipates when thoughts of weekend chores start arriving.
Yorkshire lambs huddling
Inside sheepfold; discussing
Finite universe.
-- 21 Apr 03
This
can only make sense to those who have spent time really enjoying the
countryside of northern England; and it’s even more fun for those who
are cognizant of latest cosmology theories. Once I started trying to
write haiku, I knew I had to one about lambs huddling along a stone
fence, trying to stay out of the cold north Yorkshire wind.
Some
of my favorite reading concerns physics and cosmology (the study of the
universe -- not cosmetology which is something quite different). I was
thrilled when I came up with the third line. There is currently renewed
debate among cosmologists on whether the universe if finite or
infinite. Einstein “proved” that a finite universe was impossible, but
some new data suggests that a finite universe is not only possible, but
probable.
As for sheep, the stone fence is clearly the edge
of their universe. Sheep don’t know it, but they live in a world of
multiple and parallel universes. At least that’s true in northern
England.
And just as human are unable to se “the other side
of the universe,” these lambs are not able to see what’s on the other
side of the stone fence.
I chose lambs, not sheep, because lambs are very special for an individual who is very special to me.
Cardinal -- red hot
Best-dressed bird -- flaming, fleeting!
Like best-dressed woman.
ALT
Cardinals -- red hot
Best-dressed birds -- flaming, fleeting!
Like best-dressed women.
-- 22 Apr 03
Definitely haiku -- captures a moment in time. I once had the pleasure
of spending time with the “best-dressed woman” at a remote overseas
military site. A local noncommissioned officer (NCO) had told her she
was the best-dressed woman at that site; she was also the most feminine,
sexiest, and smartest. She told me God sent birds to watch over her.
When I returned to the states, one of the first birds I happened to see
was a cardinal. That cardinal immediately reminded me of her: simply
best dressed.
Not only drunkards
Know aspiration pneumonia.
But flight surgeons, too.
-- 22 Apr 03
There
is nothing great about this haiku. But, again, it catches a moment in
time. While flying in the back seat of F-15s, I often got airsick and
if I vomited at the wrong time, I ran the risk of inhaling my vomitus. I
only did that once to realize I never wanted to do that again. I
developed pneumonia with fever to 104 degrees for several days. I had
seen aspiration pneumonia while a student at the University of Southern
California - Los Angeles County Medical Center in those who had passed
out in an alcoholic stupor. I never thought I would experience the same
thing.
This was a favorite story of mine when talking to friends, so I thought I would try to capture it in haiku. I think the Japanese reserved haiku for pleasant memories; they might be unhappy with this haiku. In addition, I think haiku should be more universal and more about nature. This one was neither.
But the contrast between “Drunkards” and “flight surgeons” gives one pause to think these two have something in common.
Starry, starry night.
One in orange, one in black
Seeking streaking white.
-- 23 Apr 03
Definitively catches a moment in time, and captures one of my favorite memories.
The
nights were more often than not, beautiful, dark, and cloudless during
my many months in England (2002 - 2003). There was also very little
light pollution in rural north Yorkshire; that lack of light pollution
resulted in very dark skies and millions of stars on moonless nights. I
have always been captivated by meteors and I was surprised to see so
many that summer of 2002.
A dear friend and I hoped for meteor-hunting conditions on our nightly walks. We were seldom disappointed. She always wore a bright orange waterproof coat; she was known as the woman in orange. I wore an all-black outfit. I couldn’t decide whether to go with “girl/boy” in this haiku, or “she/he.” I will let someone else be the judge. I knew it couldn’t be “woman/man.” We were both very childlike on these walks. Maybe for that reason “girl/boy” is the better choice. I finally went with “one” in orange and “one” in black -- not sure if that will be final.
The rhyming
(first line, third line) worked out unexpectedly; the colors (orange,
black, white) also fit nicely together. I suppose a first line could be
“darkest, bluest night” which would add another color, and would have
placed color in each line. And “starry, starry night” will lead to
“teary, teary-eyed” for a future haiku. (With apologies to Don McLean
for “Starry, Starry Night” and Vincent van Gogh for “Starry Night.”)
Killing me softly,
Suicide is not painless,
Nostalgia. Begone!
-- 14 May 03
I
am very, very sentimental and I definitely have mood swings from
euphoria to feeling quite sad. I have always been able to function very
well, and I don’t think others have noted my depression. However, I do
know that I did not reach my potential because of my depressive
tendencies. I often thought of suicide but never followed through with
any attempt, probably because of my close relationship with my family,
especially my dad, and then with my own family, especially my two
daughters. Had I not had two daughters who depended upon me -- and I’m
thinking more along emotional support rather than financial support - I
might have committed suicide. (In fact, financially they might be
better off if I were to die while on active duty with military benefits
and insurance policies. But emotionally it would be devastating for
Laura and Kiri.)
The three lines, of course, are taken from
other sources: “killing me softly” from a Roberta Flack song; “suicide
is [not] painless” from the movie Mash; and, “nostalgia. Begone!” from
Shakespeare.
Hot, hot, hot, hot, hot.
Hot, hot, hot, humid, hot, hot.
San Antonio.
Probably the easiest haiku; certainly the simplest.
Crystal water falls
Stillness of moving water.
Quiet thoughts, loud splash.
I
don’t like this particular haiku; it needs to be worked but I wanted to
capture the paradox of the “stillness of moving water” (a quote by
Howard Nemerov I came across in the book Hydrogen by John S. Rigden).
The “stillness of moving water” reminded me of two “bodies” of water
while hiking through Yorkshire: the water falls, and the brooks /
rivers.
Better?
Crystal water falls
Stillness of a silent stream.
Quiet thoughts, loud splash.
Alliteration: stillness, silent stream, splash.
Rievaulx, Fountains, all
Abbeys frozen in time.
Jervaulx, Byland, more.
Again, this needs to be improved, but I wanted to capture the thought.
The dales
Swaledale, Wensleydale,
Arkengarthdale, Wharfedale, Nidderdale.
Airport departure.
Teary, teary-eyed (with apologies to VVG and Starry, Starry Night)
Swaledale, Wensleydale,
Arkengarthdale, Nidderdale.
Airport departure.
Not haiku, but from my journal:
All I see is a woman in red,
Arms outstretched.
Turning in the wind,
The North Yorkshire wind.
Smiling.
Always smiling.
From Nikolas Boyle’s biography on Göethe:
Ob erfüllt sey was Moses und was die Propheten gesprochen
An dem heiligen Christ, Freunde, das weiss ich nicht recht.
Aber das weiss ich: erfüllt sind Wünsche, Sensucht, and Träume,
Wenn das liebliche Kind Süss mir am Busen entschläft.
Whether what Moses and the prophets said has been fulfilled
in sacred Christ, I do not, friends, rightly know.
But this I do know: Wishes, desires, and dreams
are all fulfilled when my little sweetheart drifts deliciously into sleep on my bosom.
-- Göethe, 40, after the birth of his first child, a son
Edna St Vincent Milllay, 1931, age 39
“Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain,
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love cannot fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It may well be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution’s power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It may well be. I do not think I would.”
Connecting the Dots
Sylvia Plath’s Ennui
F. Scott Fitzgerald’s The Great Gatsby
Henry James’ The Beast in the Jungle
July 25, 2008:
While
reading Sylvia Plath’s Journals I came across “villanelles.” I think I
had heard of that term before but now that I saw the word again I was
curious what villanelles were. I went to wiki, found a short
definition, and in the process of “cutting and pasting” that definition
on my “Storytelling” chapter, I noted that I had not completed a
sentence regarding a newly discovered poem by Sylvia Plath.
I
“googled” a phrase from the incomplete sentence which took me directly
to solving the nano-mystery: the lost Plathian poem was Ennui which then
took me to Blackbird: An Online Journal of Literature and the Arts where I found the background of Ennui.
Blackbird appears to be a free site maintained by the Department of English at the Virginia Commonwealth University.
This
site apparently owns the copyright or has access to much of Sylvia
Plath’s works. The site includes the text of Ennui as well as scanned
copies of the original typewritten page of Plath’s.
From the
web: “Anna Journey, a graduate student at Virginia Commonwealth
University, discovered a previously unpublished poem by Sylvia Plath in
the archives at Indiana University. She claims the 14-line Petrarchan
sonnet, Ennui, was created from notes Plath wrote in a copy of F. Scott
Fitzgerald’s The Great Gatsby. The poem has been published in VCU’s
online publication, Blackbird.”
The researcher, a student, came
across “L’ennui” written in the margins of Sylvia’s copy of The Great
Gatsby. After reading the paragraph in The Great Gatsby, it appears
Sylvia Plath responded with Ennui.
“Ennui” is boredom. In
The Great Gatsby the female protagonist, Daisy, has just had her baby,
weeping that it is a girl, weeping because she feels only men can live
adventurous lives. Daisy states that a woman’s only hope in life is to
be a “beautiful little fool.” In the next paragraph, the female
protagonist, who I believe is based on Zelda, the wife of Fitzgerald,
was very, very bored at this point in her life.
In Ennui, does
Sylvia Plath see herself as Zelda? By the time Zelda had her first (only
child) she had seen in all, and is now bored, or at least she is in The
Great Gatsby. Sylvia, unlike Zelda, had not seen it all but maybe ennui/Ennui was her “Is That All There Is?”
Sylvia wrote this poem
while she was at Smith College, living in Lawrence House. [From notes in
her journals, edited by Kukil, Sylvia lived at Lawrence House from
September 1952 until her graduation from Smith College in June 1955. She
lived at Haven House during her first two years at Smith College, 1950 –
1952. It appears she spent a full five years at Smith.]
Earlier
this morning I had read Faulkner’s comments on poetry in which he said
it is much more difficult to write short stories than novels because
every word counts more: “…it demands a nearer absolute exactitude. You
have less room to be slovenly and careless…In poetry, of course, there’s
no room at all for trash. It’s got to be absolutely impeccable,
absolutely perfect.”
Here is Ennui:
Tea leaves thwart those who court catastrophe,
designing futures where nothing will occur:
cross the gypsy’s palm and yawning she
will still predict no perils left to conquer.
Jeopardy is jejune now: naïve knight
finds ogres out-of-date and dragons unheard
of, while blasé princesses indict
tilts at terror as downright absurd.
The beast in Jamesian grove will never jump, [The Beast in the Jungle, Henry James]
compelling hero’s dull career to crisis;
and when insouciant angels play God’s trump,
while bored arena crowds for once look eager,
hoping toward havoc, neither pleas nor prizes
shall coax from doom’s blank door lady or tiger.
This site, http://www.blackbird.vcu.edu/v5n2/poetry/plath_s/ennui.htm, has interesting links regarding Ennui.
Ennui
has only 14 lines, one verse of eight lines, the second six. As
Faulkner noted about poetry, Sylvia packs a lot into those few lines.
She talks of tea leaves and gypsies; knights, dragons, and princesses.
She references James and The Beast in the Jungle. She talks of God and
insouciant angels. And Sylvia even references the Roman crowds eagerly
awaiting tigers and Christians entering the arena.
In 14 lines:
Faulkner
talked of the importance of each word in a poem: “insouciant” is the
perfect word for angels: “lighthearted unconcern, nonchalance, carefree,
unconcerned, undisturbed.”
From wiki: “The Beast in the
Jungle is almost universally considered one of James’ finest short
narrative, this story treats appropriately universal themes: loneliness,
fate, love, and death. The parable of John Marcher and his peculiar
destiny has spoken to many readers who have speculated on the worth and
meaning of human life.”
Now the dots start to connect: not just
my research regarding the genesis and reading of Ennui, but also the
dots – the data points – in Sylvia Plath’s own young life. Henry James
never married, and “possibly never experienced a consummated sexual
relationship.”
[Incidentally, William James was the brother
of Henry James. William James formulated a landmark philosophy on
psychology (Principles of Psychology, 1890), a subject Sylvia was much
interested in. It would be interesting to learn whether Principles of
Psychology was one of the standard textbooks in her psychology classes.]
Oh,
yes, villanelles. From wiki: “A villanelle is a poetic form which
entered English-language poetry in the 1800s from the imitation of
French models. A villanelle has only two rhyme sounds. The first and
third lines of the first stanza are rhyming refrains that alternate as
the third line in each successive stanza and form a couplet at the
close. A villanelle is nineteen lines long, consisting of five tercets
and one concluding quatrain.”
USE OF ALLITERATION:
Tea leaves thwart those (t’s) who court catastrophe (c’s),
designing futures where nothing will occur:
cross the gypsy’s palm and yawning she
will still predict no perils (p’s) left to conquer.
Jeopardy is jejune (j’s) now: naïve knight (n’s)
finds ogres out-of-date (o’s) and dragons unheard
of, while blasé princesses indict
tilts at terror (t’s) as downright absurd.
The beast in Jamesian grove will never jump,
compelling hero’s dull career to crisis (c’s);
and when insouciant angels play God’s trump,
while bored arena crowds for once look eager,
hoping toward havoc (h’s), neither pleas nor prizes (p’s)
shall coax from doom’s blank door lady (d’s) or tiger.
Definitions:
Hardy: “Poetry is but emotion put into measure.” (Martin Seymour-Smith’s biography, about p. 618
From my storytelling chapter:
Poetry: A Definition
New
Yorker, 6 Nov 06, Robert Gottlieb, quoting a 1950’s publisher: “... a
freshness and liveliness of feeling, a gift for imagery, and a power of
expression that were quite exceptional -- in short, a poet.”
“Poetry
is the connecting link between body and mind. Every idea in poetry is
grounded in emotion.” Camille Paglia, Sexual Personae, c. 1990, p. 18.
From
wiki: Louise Bogan, 1897 – 1970; an American poet who felt that “lyric
poetry” if it at all authentic…is based on some emotion – on some
occasion, on some real confrontation.”
Personal thoughts: one
cannot be sentimental in novels (there can be sentiment, but the author
cannot be sentimental); however, poetry is all about emotion, including
sentimentality.
Monday, October 19, 2026
The Cleopatras: The Forgotten Queens of Egypt, Lloyd Llewellyn-Jones, c. 2024.
The Cleopatras: The Forgotten Queens of Egypt, Lloyd Llewellyn-Jones, c. 2024.
October 29, 2026:
I've been reading The Cleopatras: The Forgotten Queens of Egypt by Lloyd Llewellyn-Jones for the past couple of weeks. Today, I'm reading the story of the relationship between the Ptolemy reign (Egypt) and the Seleucid reign (Persia/Iran). Either I had forgotten or never knew of the relationship between these two families. So, I'm going to stop reading here -- about halfway through the book and start over. I want to get a good foundation for this history before proceeding.
My first note, October 19, 2026, link here. Link: https://share.google/aimode/fVwaYfdJy7Qr62P8o.
Updated first note, October 19, 2026, link here. Link: https://share.google/aimode/Xm8LFV40fFAOlYm7U.
Introduction
To be re-read later; notes later.
Part One
Beginnings
Cleopatra 1 Syra
Cleopatra II
Chapter 1: The Bartered Bride
Alexander had died 323 BC.
Cleopatra, Alexander's sister, wielded too much power; ruled for awhile, but ultimately assassinated on order of Antigonus, around 308. Antigonus had been given the satrapy of Phrygia by Alexander. Phrygia: west-central modern day Turkey along the Sangarius river, encompassing Ankara and Konya.
All this time, 323 to 308, the successors fought each other in Babylon and across Macedon to Greece to Turkey to Persia.
The history of the Cleopatras begins not in the Egypt of the Ptolemies but further to the east, in the empire of the Seleucids -- the dynastic name given to the Greek-speaking monarchs of an empire that incorporated the modern states of Syria, Lebaanon, Palestine and Israel, Jordan, armenia, Kuwait, Iraq, Azerbaijan and parts of eastern Turkey as wellas , at times, significatnt portions of Iran and even Afghanistan.
So, what was the background of Cleopatra Syra?
Born in Antioch, Syria, around 209 BC -- daughter of a formidable warrior king, Antiochus III, known even in his lifetime as Antiochus Magus, 'the great.' He was the latest scion of the Seleucid dynasty, the heirs of Alexander the Great.
The diadochoi, successors:
Macedon: Antigoni monarchs (descendents of Philip II, Alexander, Antipater);
Egypt: the Ptolemies; and,
Syria, the Levant and Mesopotamia (sometimes called Asia): the Seleucids.
To the Greeks/Macedonians, Syria, the Levant, and Mesopotamis was the "heart" of the Persians through with they controlled modern-day Turkey which was Asia.
Her mother a the renowned Laodice, the third Seleucid queen to bear that name.
Seleucus, Alexander's general -- huge city-building campaign, particularly in Syria, which to all extents and purposes was the "home" of the empire.
Antioch-on-the-Orontes on the banks of the Orontes River, became the primary royal residence for all successive Seleucid rulers .... also Sardia and Ephesus in Asia Minor, Susa in Persia, and Antioch on the Mediterranean coast....
So, we will come back to page 16.
Chapter 2: A Stranger in a Strange Land
Cleopatra Syra was aware of the myth of Egypt.
Discussion of Egypt as Alexandria discovered it and conquered it.
Ptolemy: takes control of Egypt, in June 323 BC, when Alexander dies, page 37.
Family of minor nobility but distinguished himself before Alexander died ... administered Egypt as its satrap, but in 305 BC he finally proclaimed himself Egypt's basileus -- "king." -- page 37.
Aha! Ptolemy's wife and greatly loved queen was Berenice I --> daughter Arsinoē II, and a son and heir, Ptolemy II Philadelphus.
Co-regencies.
Ptolemy I Soter died 282 BC; succeeded by Ptolemy II Philadelphus. He was married to (another) Arsinoē, daughter of king of Thrace; referred to as Arsinoē I. Ptolemy repudiated her late in her life and he married his full-blood sister Arsinoē II, top of page 38....
.... long story of Cleopatra Syra arriving in Alexander...
Cleopatra I Syra arrives in Alexandria; lives in the Basileia of Alexandria and marries Ptolemy V.
Skip ahead.
Chapter 3: Seeing Double
Author goes back to "King Tut" era to give us background of Egypt and what Ptolemy/Greeks had "inherited."
Chapter 4: A Little Apocalypse
Still Egypt's queen, Cleopatra Syra and her husband, Ptolemy V.
Rebels in Thebes (Egypt).
Chapter ends with Cleopatra Syra and Ptolemy V sailing up the Nile with this new baby, the heir.
Chapter 5: It Takes a Woman
Her first baby, a son, to become Ptolemy VI.
Then, a daughter, Cleopatra II; and, then a third child, a son, to become Ptolemy VIII -- the most notorious and unconventional of the already eccentric Ptolemaic kings, page 89, know to history as Potbelly.
Back to the happy family, Ptolemy V, Cleopatra Syra, and the new baby, Ptolemy VI.
Start at page 90.
The rest of the chapter discusses the family...come back to this....
Chapter 6: Flesh of My Flesh
Begins with the second child, Cleopatra II, born shortly after Ptolemy VI was born, page 103. Move quickly ... in 176 BC, 12-y/o Cleopatra married her elder brother Ptolemy VI, just as their mother had wished.
Long discussion of such marriages.
Chapter 7: Brothers (and Sisters) in Arms
Ptolemy VI (teenager) married to Cleopatra II (Cleopatra 1 Syra suddenly died, 176 BC). Too young to rule without regents: Eulaeus and Lenaeus -- inept. The regents decided to keep Ptolemy VI's power constrained -- put a third sibling on the throne along with Ptolemy VI and Cleopatra II -- their young brother Potbelly.
The three ruled together but the real power was with Cleopatra II.
Huge changes with the tripartite monarchy. The monarchy weakened remarkable. Egypt lost a lot of territory. But the most noticeable feature of this period: rise in authority of the queens. It soon became known in Syria that Egypt was in a state of collapse.
Sixth Syrian War: Syria looks to conquer Egypt.
Bottom line:
- tripartite monarchy
- two brothers, one sister
- often asked Rome to step in to settle conflicts
- Jews starting to gain attention in this part of the world
- Cleopatra II gives birth for four children: son-daughter-daughter-son
- Egypt: two parts: Egypt proper and Cyrpus; over time, three parts: upper and lower Egypt; and, Cyprus.Ends with the Ptolemies (brother[s] and sister[s] still in charge.
Chapter 8:
Sunday, October 18, 2026
The Landmark Arrian, The Campaigns of Alexander, Anabasis Alexandrou -- Arrian -- Pamela Mensch -- c. 2012
Bactria: Central Asia -- Bactria is divided today primarily among northern Afghanistan, Uzbekistan, and Tajikistan, with parts extending into Turkmenistan.
Scythia: modern day Ukraine and southern Russia.
October 20, 2026:
After reading Book One of Arrian, I felt I needed to go back and re-read the introduction/first chapter of Dividing The Spoils, Robin Waterfield, to read again what Philip II had accomplished allowing his son Alexander to succeed. Without Philip II, there is not Alexander the Great. See AI links below for more.
October 18, 2026.
First post: October 18, 2026.
The Landmark Arrian, The Campaigns of Alexander, Anabasis Alexandrou, a new translation by Pamela Mensch, edited by James Romm, series editor Robert B. Strassler, with an introduction by Pal Cartledge, original c. 2010, my softcover c. 2012.
- Arrian: wiki. 68 - 173 AD -- 73 years old.
- Pamela Mensch: acclaimed American translator of ancient Greek literature based in New York City. Frequent collaborator with James Romm, Bard College.
- Bard College is a private liberal arts college in Annandale-on-Hudson, New York, United States. The campus overlooks the Hudson River and Catskill Mountains within the Hudson River Historic District and is a National Historic Landmark. Ninety (90) miles north of NYC. Returning resident: about $100,000 / year. Due west of the state line between Massachusetts and Connecticut. Wow, what a beautiful setting.
All seven books.
Appendices A - R.
Gemini AI links:
- October 18, 2026, the book: link. Link: https://share.google/aimode/fYDwEcyfyUe9wHIVT.
- October 18, 2026, naming of individuals: link. Link: https://share.google/aimode/aCiFk5884qCc4f6Zz.
- October 18, 2025, how Alexander took early control of his campaign; Thebes: link. Link: https://share.google/aimode/MMu21gE50ZvPAhb9q.
- October 19, 2026, Philip II: link. Link: https://share.google/aimode/sdU4yI9Zg8kb48dY0.
- October 19, 2026, Philip II and the power of silver to produce a professional military: link. Link: https://share.google/aimode/9sFJtriTMT6abZOkw.
- October 20, 2026, Arrian's style of writing is fascinating as we see Alexander taking southwestern Turkey and the advances to Egypt via the coast of Phoenicia: link. Link: https://share.google/aimode/c7tGq3kM6aBYgSt5M.
- October 20, 2026, Alexander's leadership style: link. Link: https://share.google/aimode/nhITNGQSaRprlp2oN.
- October 20, 2026, the "Red Sea." Link. Link: https://share.google/aimode/K24zn0FDACs8tPtVr.
BOOK ONE
- Raises the army
- Begins his attack on Persia
- First: Athens and Sparta
- Then, the rest of Greece
- Crosses the Hellespont easily
- Takes southwest Turkey
BOOK TWO
- begins with Persia taking the battle to several famous Greek islands off the coast of Asia Minor
- introduces King Darius and Memnon in control of the entire Persian fleet; Memnon suddenly dies and his nephew is temporarily appointed to take Memnon's place; significantly slows Persian progress
- the Gordion knot: the palace of Gordios and his son Midas
- Alexander to Cappadocia
- Cilician Gates
- Alexander keeps advancing; Darius flees
- Alexander goes down the coast of Phoenicia, Gaza
- page 95: Alexander now decided to launch his expedition to Egypt; autumn 332 BC
- Alexander's wound proved difficult to treat: probably the wound to his thigh mentioned some pages earlier
- Tyre taken earlier; now Gaza to be taken
- ends with Gaza taken and Alexander using Gaza as a stronghold for conducting the war
BOOK THREE
- first line: Alexander now started for Egypt
- Darius' man in Greece amicably greets Alexander
- Alexander sails up the Nile; notes a perfect location for a new city: Alexandria
BOOK FOUR
- Tanais River: northeast corner of Black Sea; border between Europe and Asia in this area during Alexander's campaigns; allowed a stepping-off point for Alexander if he decided to invade Scythia: modern day Ukraine and southern Russia. That's where the chapter begins.
- the book ends with Alexander advancing to the Indus; again elephants a big part of the story
- built ships to convey down the Indus to the bridge Hephaistion and Perdikkas had built for him long before
BOOK FIVE
- begins with the city of Nysa, between the River Kophen and the Indus.
- crosses the Indus into India
- describes the borders in this part of Asia, page 204
- describes building the bridge over the Indus -- page 205 - 206
- crosses the Hydaspes River: in modern-day Pakistan, far north near Afghanistan / Tajikistan
- a victory over the Indians
- then the River Akesinos; then the Hydraotes, another river than joins the Indus;
- describes giving Hephaistion a portion of his army -- page 223
- chapter ends with Alexander organizing/taking control of this area
BOOK SIX
- begins with Alexander's plan to sail down the Hydaspes river to the Great Sea (Indus River flows into what we call the Arabian Sea, an arm of the Indian Ocean but here Alexander refers to it as the Indian Gulf -- page 237 -- this is an important point in Alexander's campaigns, beginning his trip back home?
- his famous story about crocodiles, p 237
- Hephaistioin, Krateros, Philip and their forces, elephants crossed the Hydaspes along with Polyperkhon's battalion -- page 241
- part of his still making his was to the Indian Gulf
- meanwhile Alexander on land back toward Persia, specifically, Pasargadae, in Persia, about 50 miles northeast of Shiraz and 300 miles south of Tehran which is much farther north; Cyrus is said to be buried in Pasargadae -- discussed on page 267
- Alexander appointed his general Peukestas to take the satrapy of Media; Media and Persia were two closely related ancient Iranian civilizations that united to form the foundation of the first great Persian Empire (the Achaemenid Empire) in the 6th century BC ... Media to the north; Persia to the south.
BOOK SEVEN
- Alexander unsettled by Romans' increasing strength
- Arrian not sure what Alexander planned next; perhaps Alexander himself was unsure
- this chapter appears to cover the last year of Alexander in Persia
- Hephaistion falls ill, p. 292, autumn 324
- Alexander went berserk over the death of Hephaistion
- the Arab gods: Ouranos, Dionysos, and now Alexander thinks he should be worshipped by the Arabs as a third god -- page 303
- page 309 -- "But Alexander's end was near" -- spending his time in Babylon...
- Alexander's death: begins on page 311 or thereabouts
- Alexander died "in the 114th Olympiad, during the archonship of Hegesias at Athens."
- see this link: https://share.google/aimode/dNYUGooGxVTQdeiGd.
Epilogue: written by James Romm, Bard College, Annandale-on-Hudson, New York
- begins with the Diadochoi, or Successors -- began with Diodorus who dubbed them the diadochoi
- page 319: the immediate departure of new leaders, with Perdikkas trying to run the empire
- Perdikkas murdered by his own men led by a cabal of officer led by Seleukos, his former head of staff. In the late fourth century, Seleukos came to control the greatest portion of Alexander's fragmenting empire; so it was --
- Antipater/Craterus in Macedon
- Ptolemy in Egypt
- Seleucid in Persia
- paragraph 15 is a key paragraph -- page 323
- Ptolemy: died of old age in 283, not quite the last of Alexander's generals but certainly the most successful. His dynasty, called Ptolemaic because every heir to the throne invariably took the name Ptolemy, endured for almost 300 years until its last monarch, Cleopatra VII, surrendered it to the Roman conqueror Julius Caesar.
- the other provinces of what was once Alexander's empire, including Macedonia itself, had gradually succumbed to Rome or to internal conflict during the second century BC.
Appendix A: Arrian's Sources and Reliability
Appendix B: Greek and Macdonian Ethnicity
Appendix C: Alexander the Man (and God?)
Appendix D: Alexander's Army and Military Leadership
Appendix E: Alexander's Inner Circle
Appendix F: Money and Finance in the Campaigns of Alexander
Appendix G: The Persian Empire and Alexander
Appendix H: Alexander at Persepolis
Appendix I: Alexander in Central Asia
Appendix J: The Indian Campaign
Appendix K: Alexander's Policy of Perso-Macedonian Fusion
Appendix L: The Alexander Romance
Appendix M: Alexander and the Greeks
Appendix N: Alexander's Geographic Notions
Appendix O: Alexander's Death: A Medical Analysis
Appendix P: Alexander's Death: The Poisoning Rumors
Appendix Q: The Royal Macedonian Tombs at Aigeai
Appendix R: Arrian's Life and Works
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