The Bourgeois: Between History and Literature
Franco Moretti
c. 2013
Franco Moretti: teaches Literature at Stanford; at Stanford, he is the Director of the Literary Lab. Several books, and chief editor of The Novel.
Chapter 1: much of the chapter is devoted to Robinson Crusoe (1719) and Daniel Defoe.
The concept of aventiure trade and adventure.
The Protestant Ethic.
Rousseau and Goethe, the latter, Wanderjahre.
Heart of Darkness.
Chapter 2
Johannes Vermeer; paintings, letters
Pride and Prejudice
The painter Caillebotte and his Place de l'Europe
Goethe, again, this time, Wilhelm Meister's Years of Apprenticeship (1796).
Waverly (1814), Scott.
Middlemarch.
Fillers: the only narrative invention of the entire 18th century. Huge transition. Before 1800, few fillers. A hundred years later they are everywhere (the Goncourts, Zola, Fontane, Maupassant, Gissing, James, Proust ...)
Chapter 3
Communist Manifesto
Paintings, again:
Manet's Olympia: the masterpiece of the bourgeois century
By contrast, Ingres' Venus Anadyomene.
Millais' The Knight Errant.
Charlotte Brontë.
Back to Robinson Crusoe.
Chapter 4
Chapter 5: Ibsen
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